Blood Slaughter Massacre (2013)

Good , But It Is Overrated By Some

This story has more twists and turns than a second-rate soap opera.

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

This is what you get when anyone can get their hands on a camcorder and think they can make a movie. Let's look at the positives - well, there are none. It's another stupid attempt at a homage to 80's slashers which, as I recall, mostly sucked. But they were of a professional level of suck, so were tolerable. Be honest here, every Friday the 13th after the first one, every Halloween, they were all crap. So is this pile of steaming turd. Bad acting, no story at all, bad SFX, and crappy makeup. This is a 'film' that should be consigned to the dust bin of history. I'm really glad I didn't pay to see this. As for those 8's and 10's, I really think the people behind the camera just post their own reviews.

The film opens with a slaughter in Havenwood of 23 or so people. Ten years later young nubile girls are being killed in what looks like a Satanic ritual with Detective James Fincher (Matt W. Cody) sometimes on the job.The acting is bad and the sound quality is choppy. The plot was not well conceived and leaves much to be desired.The girls who appear naked are said to be under aged in the film, something that is frowned upon.6 stars for the nudity.F-bomb, sex, nudity (Bridgette Miller, Jackie Wolozin, Tiffany Loretta Carroll, and thank you Charlotte Pines)

I like to think that I am quite an easy to please reviewer, but some of the other reviews for this film make me question my own sanity! Certainly it's not the worst film ever made and there is definitely a story and direction in play, but other than that there isn't really much to praise here.Now sure, there is a definite 80s style in the synthesizer background music and the masked killer plot, but these things are also generally used because they are cheap and simplistic, and therefore well suited to an ultra low budget horror film such as this, it's nothing to write home about. Furthermore the homage goes no further than simply supplying the exact same type of offering, and if you aren't sending up or moving on concepts from the past, then is there really much point in making a movie that 'should have come out in the 80s' beyond pure nostalgia?Apart from that this is your standard ultra low budget horror movie where it was probably more fun to make than to watch; the story is all spelled out in untidy exposition, the gore is bad, the acting is questionable, the pacing is all off and most of this is covered up by a good amount of skin from the actresses involved. There is nothing wrong with this for amateur horror, but don't expect it to be a revelation in film making or anything.

I attended the world premiere of BSM in Manhattan's Lower East Side on May 19th, 2013. I was thoroughly impressed with the attention to detail to make this film look authentically 80's. Being an avid fan of the horror genre, specifically from that time period, I have to say everything about this film gave me the warm and fuzzies. BSM has everything a top notch 80's slasher should have including an interesting background story which keeps you enthralled in the narrative, a soon-to-be iconic antagonist, "The Ripper Killer", 80's style score and soundtrack, and most importantly tons of gratuitous nudity and violence. The actors all bring their "A" Game with notable performances by Matt W. Cody, Melissa Roth and Carmela Hayslett. Bottom line: If you are a fan of 80's Slasher Flicks than SEE THIS FILM!!!