All the Rage (1997)

Crappy film

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

There really isn't any reason at all to hate Chris...or is there? He of the strong jaw, sculpted physique, high-paying job and high-rent apartment is wanted by every guy in town, and he knows it. As proof, he has the "little black box" stuffed full of phone numbers. So what if he'll never use any of them? They're just trophies; notches on his belt. That doesn't make him a bad person, does it? It's just that there's always another guy, just waiting to be bumped into, at the gym, in a bar, on the street or who knows where. So when Chris begins falling for Stewart - who's cute but not gorgeous, doesn't work out and is a little bit shy - his friends may be surprised, but no one's more surprised than Chris himself.Well, that's the premise, and I'm afraid it's all the good news there is. What could have been a sweet, if derivative, story is hobbled by mannered, stagey performances (with the exception of David Vincent as Stewart), uncertain direction and an 11th-hour plot turn that comes out of nowhere.If this film is sending any message, it seems to be, "We rich, beautiful people experience pain, too - when, for the first time in our lives, something doesn't work out the way we want it to," but it also appears that writer-director Roland Tec is indulging in a little dramatic score-settling. Who among we mortals hasn't wanted to see that full-of-himself "has it all" guy get brought down a peg or two? But the overwrought denouement which seeks to bring this about belongs in another film entirely.The narrative is punctuated throughout by little "confessionals" in arty black & white (which sometimes go on waaaaaay too long) wherein, addressing the viewer, Chris muses about himself, and what he wants in a man and...well, that's about it. If these interludes are meant to garner sympathy for the character, they fail. If, on the other hand, they're meant to point up his shallowness and self-absorption, they do quite nicely. "I'm not an a**hole," Chris assures us. To paraphrase Bette Davis, but ya ARE, Chris. Ya ARE an a**hole.Although unsatisfying, ALL THE RAGE is far from the worst gay-themed film you'll ever see (that raspberry still goes, for my money, to "The Last Year"), but there isn't any compelling reason to see it in the first place, either. Of course, you can't know that until you have seen it, but you could just take my word for it.

This film is a very good satire of life in the 90's for gay men. The acting is a bit tireless, yet when taken into context of the genre of the satire, then it places well. John-Michael Lander is very convincing as the 'gay-god' that has decided to fall in love and yet can't give up his other life. This film should be on the list of the "Gay Must-See"

I went with a group of friends, and those who were expecting a comedy (romantic or otherwise) were sorely disappointed. This movie is a merciless indictment of a certain superficial, vicious subgroup within the gay community. In fact, if this movie were your entire view into the gay subculture, it would probably justify the whole ex-gay movement for you. (The character of Stewart probably signed up with Exodus after the events in this film.) It reminded me of Larry Kramer's Faggots in the way it tried to address the lack of genuine feeling and community within its target group.While I agree that the acting and technical aspects of this film are sorely lacking, I had no problem ignoring the form and focusing on the content. Yes, it's just a movie about a cad who happens to be gay, but I can't think of another movie with this subject in the past 20 years. Most gay films these days seem afraid to turn a mirror on any part of its audience and say "you are the villain", which this movie does. I found it quite difficult to sit through the first half hour, during which we are introduced to two despicable gay men (Christopher and Larry) and two merely insufferable ones (Tom and David). Once Stewart showed up though, it was easier to feel something (other than disgust) for someone in this film, even though it was pretty inevitable what was going to happen to the poor guy.As for the ending, it was no more out-of-left-field than the ending of Looking For Mr Goodbar, and at least no one wound up dead for no good reason in this movie (although even suggesting it might happen was a big mistake on the director's part).

Just what I needed, a gay "Your Friends and Neighbors." Not. Add to the down, tired material dialogue that sounded as if it were being read off cue cards, boring camera work, dull locales, and endless conversations, often as people plodded along in some park. Ugh! What a disappointment! I kept waiting for it to get better. It didn't.