Totally F***ed Up (1994)

Some things I liked some I did not.

People are voting emotionally.

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

I thought the movie, "Totally F***ed UP," was a rather good movie. The movie attempts to look at the lives of some troubled gay teens and how they attempt to deal with the complexity and pressures of homosexuality in advent of the approaching new millennium. The interviewing style of the movie was a different approach to viewing a teen movies compared to the main stream movies formulas, but I found the movie entertaining in spite of the narration, and at times, it was very funny. If you ever really been around the teens of today, they do act and talk like these teens. All teens have problems trying to adjust and assimilate into adult life. Having the added pressure of being gay, makes their lives even more complex. I could identify with some of the characters and some of their actions and reactions and their problems trying to become independent, gay adults. I first saw this movie on the Independent Film Channel of cable and eventually I bought my own DVD copy, but I'd like to see more movies like this and more from the writer and director, Gregg Araki. Who knows, eventually these movies will be in main stream too and not just presented only on the Independent Film Network.

A rare movie to find. If you find it, you are one of the few.I think that this is a good movie for sexually confused teenagers to watch. I think that some kids can connect with it and know that they are not the only ones out there who have the same situations occur in their life as in this movie. Some good issues are brought up in this movie. Some real stereotypes are stepped on in this movie. This movie lets kids know that it's okay to be something other than hetero.

It's obvious that the other person who did a review of this movie was not an Araki fan. In order to understand this movie, you have to be a hardcore Gregg Araki aficionado. This was one of his first films, and he was just beginning to develop his unique style of directing and writing. The language used is supposed to emphasize the immaturity of our generation even though we are in such serious situations as shown in the movie. It's actually a great juxtaposition. As for the cinematography, I would rather see a movie filmed in the way Totally F***ked Up was than any other uninterestingly-filmed movies. At it's core, this is really a story about the struggles of anyone who has ever felt like an outcast. It does leave us hanging at the end, but so do other Araki movies. That's just his style; and if you don't like it, then too bad for you. If you do happen to like this film or are interested, I urge you to see the rest of the Teenage Apocalypse Trilogy [next: The Doom Generation, Nowhere], and all other Araki films. They are all interesting and stylish.

This film was great...I thought it showed the disenchanted at a level that was easy to identify with, especially for young queers. low budget movies always seem a bit cheezy but it brings them down to a level which is easily understood by the general populace. (sounds patronising I know, but it's a fact). It showed a bit of light in a lost world and is easily my favorite Araki film. The characters were great, the cinematography, while sometimes a bit hard on the eye, was interesting for me as a young film maker...it was also easy for me to identify with, although I'm in a totally different cultural climate and country from where this was filmed, growing attached to these characters was easy for me because I've been there and felt that, no matter how cheezy it is to say. I wonder one day if I can make a film as good as this...I want to give a bit of hope back to my generation and generations to come of young queers and let them know that there are others out there who feel the same way, give them a little hope in this dark.