Sailors, Beware! (1927)

Tied for the best movie I have ever seen

Sadly Over-hyped

I saw this movie before reading any reviews, and I thought it was very funny. I was very surprised to see the overwhelmingly negative reviews this film received from critics.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.'Sailors, Beware!' is nowhere near classic Laurel and Hardy, later films, short and feature, had stronger chemistry when fully formed and used their considerable talents better. At this point, Laurel was much funnier and more interesting while Hardy in most of the previous outings had too little to do. 'Sailors, Beware!' is still worth watching though and is an improvement on some of their previous short films, along with 'Duck Soup', 'While Girls Love Sailors' and 'Sailors, Beware!' it was up there as among Laurel and Hardy's best up to this point.Personally would have liked more sly wit, more scenes with Laurel and Hardy together and Hardy having more screen time. The story is a bit busy at times and both slight and formulaic.. Laurel however is very funny, and sometimes hilarious, like as was said for a few of his previous outings 'Sailors, Beware!' is worth seeing for him alone. Anita Garvin enjoys herself as well and has nice chemistry with Laurel. Despite saying above about Hardy's screen time being too short he is at least not wasted, and he does give one of his funniest and most interesting appearances of his pairings with Laurel up to this point despite his persona being not as fully formed as Laurel's. There is not enough of him and Laurel together and one can see glimpses. A good deal of the humour is well timed, hugely energetic and very funny, with everything going at a lively pace, and there is a lot of charm and good nature to keep one going. 'Sailors, Beware!' looks quite good.To conclude, decent. 7/10 Bethany Cox

Stan and Ollie hadn't yet become Stan and Ollie. In this one, they're strangers. Stan is a taxi driver who finds himself unwittingly a stowaway on a cruise ship. Ollie is the Purser. Also aboard are a drunken millionaire and a lady con artist whose midget husband poses as a baby and helps her cheat at cards.Various gags follow, some slapstick and some an iota more sophisticated, as when the "baby" entices Stan into shooting craps and uses loaded dice. Do people still shoot craps? It seems a lost form of gambling, just as shooting marbles among kids has disappeared.It's a silent picture and it's interesting to see that Stan's character is far more assertive than it was to become in the next few years. Stan has also developed his "crying face" which seems only half there without the accompanying whine of distress.

It's not the first Oliver Hardy "tie-twiddle" that's supposed to be in this film, it's the first "camera-look," and even that's not quite true. In 1954, Oliver Hardy gave an interview to John McCabe in which he recounted what he remembered as the first of his long-suffering gazes into the camera. The scene he recalled--being hit in the face by buckets of water immediately after opening a door, and then staring into the camera in disgust--is in this film, although Hardy mistakenly remembered it as being in "Why Girls Love Sailors." He doesn't actually stare into the camera after being hit with the water so much as glance a few times at us. What's interesting is that Stan Laurel is playing directly to the camera throughout this entire film, both in long shots and close ups. With their next film, "Do Detectives Think?," the process is more like what it would be in their mature films, with only Ollie breaking the fourth wall and looking directly into the camera.The credited director of this film was Hal Yates, although he actually only directed one day's worth of retakes (April 18, 1927). I know this to be a fact as I am the author of "Laurel & Hardy: The Magic Behind the Movies" and spent years doing research on the team, locating the precise shooting dates for most of their films. The actual director for most of the filming (April 4 through 14) was Hal Roach. The reason that Fred Guiol is credited as the director on the available DVD is because the producer of that disc created new main titles (they were missing on the available print, which was from a foreign source) and substituted a director credit title from "With Love and Hisses."This is quite an excellent film, with fine support from Anita Garvin and Viola Richard. The production values are surprisingly elaborate, which isn't really apparent in the battered print that's currently available on DVD.

Stan Laurel and Oliver Hardy were not deliberately planned to be a comedy team. They did several films together over the years starting with LUCKY DOG and Hal Roach Studios didn't realize they'd be a good team until they just happen to make about a dozen films together. The fact that they appeared together pre-official teaming wasn't surprising, as studios like Roach tended to use the same groups of actors again and again. It was only by chance that they slowly evolved into a team.SAILORS BEWARE is one of these earlier films where Stan and Ollie are not yet a bone fide team. Like so many of these movies, their parts are very separate and they play against each other more than with each other. Because of this their chemistry is all wrong compared to what we are used to and most of these earlier films are sub-par for the boys. However, in the case of SAILORS BEWARE, the film is still excellent--one of the best before they became an official team. In fact, it is better than quite a few of their later films as well due to an excellent and exciting script.The film begins with cabbie Laurel getting stuck on a cruise ship after bringing aboard a rich lady and her baby. Because Laurel isn't able to afford the fare, he is made to work on board--with Ollie as his not particularly nice boss. At about the same time, there are a number of thefts on the ship and it's up to Stan to get to the bottom of it.Seeing that the baby is played by Harry Earles--a somewhat famous dwarf who acted in several films--it isn't too surprising to guess who's behind the thefts. Interestingly, Earles plays much the same character he played in both the silent and sound versions of THE UNHOLY THREE (with Lon Chaney). Still, despite me recognizing him, it still was an exciting and funny film--one worth seeing by anyone--not just Laurel and Hardy fans.