The Pool (2008)

Some things I liked some I did not.

Sadly Over-hyped

Great Film overall

Dreadfully Boring

Venkatesh (Venkatesh Chavan) is a self-sufficient eighteen-year-old, working for the hotel Arcadia in the city of Panjim, India, whilst saving up as much money to give to his mother on his frequent visits back to his village.Venkatesh's best friend and business partner is 11-year old Jhangir (Jhangir Badshah), who spend their spare time selling plastic bags. Along his morning laundry-delivering route, Venkatesh sits high up a tree looking over at a gleaming swimming pool in a wealthy mans home. He dreams of swimming in the pure blue water, the pool becomes an obsession to him as a symbol of the wealth he has never known. The house is owned by Nana (Nana Patekar), who returns with his self-centred teenage daughter Ayesha (Ayesha Mohan) to tend to the garden. But neither father nor daughter use the swimming pool, which confuses Venkatesh who has by now managed to get some extra work helping Nana in his garden. He becomes even more intrigued by Ayesha, who spends her days reading books which help to "screw your head up". She strikes a friendship with Venkatesh and Jhangir, their educational, class and caste distinctions put to one side whilst they enjoy each others company.Venkatesh and Jhangir's friendship (both local non-actors) was endearing and thought- provoking, their 7-year age gap rendered meaningless since both have had to grow up at a young age to survive. Their lack of education is all too evident, shaped by what they see not what they read, especially when Jhangir thinks everything outside of India is America. Initially, Venkatesh appeared slack and selfish, he wasn't even bothered when he inadvertently got his hotel co-worker fired. But we learn more about him and his past when he starts to open up to both Ayesha and Nana especially, developing a father-son relationship with him. This bond culminates in Nana making Venkatesh an offer that could change his life. We learn a lot about everyone, including Nana and Ayesha's strained relationship, and it becomes clear that the disused pool was central to everyone's lives.'The Pool' seems initially to tread the familiar coming-of-age stories we have all seen, but it becomes something much more tender, much more contemplative than you could imagine. Beautifully directed by the American director Chris Smith, known for such documentaries as 'American Movie' and 'The Yes Men', he covers a lot of difficult themes with little melodrama or pretension. Complex subjects such as education, the caste system and poverty are treated deftly and with scant moralising. The characters are naturalistic, their insecurities are teased out of them through subtle and poignant observations which you cant help but be moved by.Will Venkatesh understand and accept the wisdom behind Nana's story of the 100 Rupees, will it enslave him or empower him? Nana's offer of salvation requires Venkatesh to grow up and take a terrifying leap of faith, and he knows it. By the end, he may well have surprised us all.

"The Pool" is an excellent, slow paced, moving and an uplifting story of an impoverished teenager whose life changes from having an obsession with a swimming pool. I can easily say that the story being slow paced added an extra charm to the movie. The main actor, Venkatesh, could improve his camera presence a little. Nana Patekar(father), Ayesha (daughter) and Jhangir (friend) were spotless. I am not writing a spoiler content here, and would like to recommend this movie to everyone, not just for the ones who loves independent movies.To you Netflix, when did low budget movies become documentaries? I like documentaries, and surprisingly Netflix recommended this movie to me. I am glad they did! :-)

I watched "The Pool" today, because I didn't have anything better to do. I was expecting it to be boring, but I was pleasantly surprised. The premise of the film is a lower class Indian boy who becomes obsessed with a pool. He offers to work for the family who lives there in order to swim in it without being a thief. As much as that sounds like a non-existing storyline, it really isn't. The characters develop throughout the film and you can really relate to them. I found the film quite entertaining and uplifting, even though the subject matter is depressing. The depiction of lower class India was perfect, you will now thank God that you don't have to scrub bathroom floors. The ending is incredibly touching, and it made me thankful that I can go to school. I highly recommend this film. - Reed S.

Well-respected documentarian Chris Smith proves himself a master of narrative form with this incredibly subtle and moving Hindi-language drama, shot in India. Along with Elite Squad, Edge of Heaven, Reprise, and Let the Right One In, "The Pool" is easily one of the best films of the year.As a New York-based Indian-American filmmaker who grew up in Wisconsin and has shot fiction films in India, I was nonetheless skeptical about a Wisconsin-based documentarian, even one of Smith's stature, working from a Midwestern-set fictional short story reset in India. Western filmmakers tend to miss the subtleties that make India unique and exciting, choosing instead to exoticize India's most superficial differences, condemn its shortcomings, or talk vaguely about its 'contradictions' (when they mean "contrasts," revealing their ignorance of the same contrasts in any big city).Smith doesn't fall into any of these pitfalls, and has created a work of lasting honesty and beauty. Watching it, it's hard to believe Smith is not only not Indian, but does not speak Hindi. I have been recommending the film to everyone I know, even more so on second viewing (at the South Asian International Film Festival, where it won top honors), once I could worry less about what was going to happen next and focus more on the incredibly nuanced script and acting, lush sound design, delightful score, and masterful framing and camera movement."The Pool" has the lyricism and humanism of Satyajit Ray, the simple strength and beauty of the great Italian neo-realists, and a great documentarian's eye for telling detail and feeling of captured reality.I hope the film wins some year-end nominations and awards, followed by a wider re-release, because everyone who loves great cinema deserves to see "The Pool."